by Taylor Gregory

 

  1. A clavicle broken outside a bar in Detroit

 

1983 feels like a fever dream.

You memorize an unpaid tab,

an empty glass, fingers running

across the curve of your breast.

Under a neon glare, you listen

to the rasp of heavy breath,

watch the bloom of purple skin.

You still hear the snap of bone

when you drink bourbon;

you still hide the scar

from your father at Christmas.

 

  1. Fingers reaching for the last Marlboro Red

 

When it’s cold and you feel an

unidentified ache in your chest,

you have learned to light it on fire.

You find warmth in the slender

yellow body, some comfort

in wisps you leave in the dark.

Maybe it’s that you see

your reflection in the embers;

maybe you feel

a sick kind of pleasure

when you snuff

them out.

 

  1. Artery, capillary, vein; blueish-green blood

 

Your skin is like a paper-lantern:

in certain lights, you appear

as a watered-down picture of yourself —

the colors faded,

lines dissolved,

the edge of where you begin

and end never drawn.

You have found yourself thinning,

stretched like the skin on

your wrists. Underneath,

your veins run blueish green,

mapping out the rhythms of your heart.

Only in this desperation

can you recognize the pulsing,

know your own blood,

return to your origin.

 

  1. Puckered lips, severed tongue

 

You came into this world breathless,

blue-faced, but made your misery

in the quiet. Here you learned

your mouth was not made for speaking.

But there is something strange

about your silence, a pucker

in your lips when you form

syllables you can’t get out.

There is something

unnerving about your words —

the ones that remained unsaid then,

that still simmer in the

back of your throat now.

 

  1. A piece of flint, struck to flame

 

In between vision and reality,

your face reflects

in a different mirror.

Your hands have calloused

and your bones do not rattle.

You have learned how deep

your teeth can cut,

pulling past layers of tissue,

tendons, deep-rooted secrets.

By now, you have heard gravel

in your voice, known the flint

you carry in your fingertips.

Here, you cast a flame,

throw it to the wind,

watch it sizzle and smoke

in the dark.

 


Taylor Gregory (she/her) is an MA student at Oklahoma State University. Taylor studies 20th-century British literature, Modernism, and contemporary poetry. Her current research concerns religious transformation in Modernist poetry, specifically the works of T.S. Eliot.


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