by Natalie Martusciello

 

My father and his brother hovering watchfully

over the hissing stovetop, raw shrimp and squid

 

falling into the yellow bath of canola oil.

My sister and brother and I roaming the quiet

 

neighborhood after dark to admire the Christmas

lights, glowing brightly against the indigo December

 

night and breathing warmth into the frigid air.

From the opposite end of the street we can still

 

smell the savory, fattening aroma of fried seafood

wafting from the window above the sink. Soon

 

we are racing back to the house, and I am not worrying

about the way my stomach might bounce slightly as I run or the

 

estimated calorie count of our seven-course meal that

will stretch into the early morning. I am thinking only

 

about the chocolate reindeer Aunt Mary gave to

me and the lemon meringue pie and tiramisu we

 

can eat only after dinner and watching my step as I

dash down the frost-covered pavement so as not to slip.

 

I wonder now whether my great-aunts loved or loathed

their curvaceous Neopolitan bodies, whether they worried

 

about the unconcealable curves of their bellies as they

bent over to retrieve the Baccalá from the refrigerator,

 

or flaunted their figures proudly in the tenements

of Little Italy the way I wear the silver Cornicello

 

around my neck, an unmistakable mark of our culture.

As they posed in the black-and-white photograph beside my

 

slender grandmother on her wedding day, French blood flowing

elegantly beneath her powdered sugar skin, a-line gown hugging her

 

petite waist, feminine and desirable, did they too hurt the way that I do,

trapped within the riptide of perpetual comparison?

 

I am my great-grandfather’s refusal to alter our family name

upon his arrival at Ellis Island. I am the Parvotti and Caruso that crackled

 

from his phonograph and filled his living room with emotion

and reverence. I am the iridescent sapphire of the Gulf of Naples.

 

I am the lost language my grandmother disapproved of her

late husband’s family using in her presence. I am the embodiment

 

of a history not entirely lost.

 


Natalie Martusciello is originally from Long Island, New York. She is an English major and Creative Writing concentrator at the College of Charleston. Her short story “Superstition” was published in the spring 2021 issue of MSU Roadrunner Review. This is her first poem that has been published.


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